As the multitalented Jonathan Coulton performs what passes for a sound check in these parts, I reach for my camera. The battery is fully charged; I took care of that last night. I check the settings and am about to disable the flash, when I notice (to my horror) that the camera screen is displaying this blinking message: Insert CF card. Nooooo! So, I have no pictures of the event, due to my own stupidity. But rest assured, if I had taken photographs, they would have been fantastic. Through the magic of teh intarw3b, I offer you someone else's photos of the same event. (And also that person's blog posting.)
It was a thoroughly enlightening evening. I learned many things that I never knew before, including the following:
That is all.
Somehow, we both missed the part of the recipe that read: "Cut each peach into 12 to 14 pieces." I blanched and peeled the peaches, and plunked half a peach (cut side down) into each ramekin. We also had two minor substitutions: milk with a little lemon juice (instead of buttermilk), and dark brown sugar (instead of light).
Chris mixed up a tasty muffin batter and poured it over the top. The end result was delicious.
Note to self: buy more peaches. There's always the Grilled Peach Melba.
September is a great month for Jeopardy! fans. Bob Harris' Prisoner of Trebekistan debuted on the 5th. The Palm ebooks site has an excerpt from chapter 1 of Trebekistan.
I'm standing at the centermost of the three contestant podiums, which are wider and deeper than they look on TV. My feet are teetering on a wooden box, creating the illusion of height for the camera. To a viewer at home, the game board is as near as the screen. But here, it's a faraway wall, the opposite side of a river-blue stage.Though glowing with color from remote-controlled spotlights, the room is remarkably quiet and still. The black plastic buzzer feels cold in my hand.
I can't see my opponents while we're playing the game, but I can feel their movements, the bodily cues of who's winning and losing: the small changes in posture, the shuffling of feet, the tensing of shoulders. With every response, our voices betray our excitement or calm, confusion or certainty, eagerness or dread. Choices of category and clue reveal personal strengths and confidence. Sometimes, I can even sense someone's breath being held very slightly when they realize—faster than me, far too often—that they know the next response.
Earl is my old college roommate, and though he's a remarkable six-foot-nine in height, he's one of those giants who hope that by holding their head and shoulders at just the right dejected angle, they may somehow—if not disappear completely—at least give the appearance of being only six-foot-four or six-foot-five. He blinks into the setting sun through the shock of floppy brown hair hanging over his face, a face that bears the perpetually disappointed look of an English foxhound or a Cubs fan.As I pump gas, we re-enact the ritual of all road-trippers since the days of Jack Kerouac, and try to figure out how we're going to divvy up the trip's costs. Unlike our beatnik freeway forefathers, however, Earl and I are both computer programmers, and we're driving down to Los Angeles not to hear jazz or harvest lettuce or watch the sun set over the Pacific, but to try to land spots on Jeopardy!, America's most popular and most difficult quiz show. Appropriately, geekily, we are squabbling about the most elegant algorithm to calculate and divide up our expenses.
"How about this?" I offer. "There's two of us, so that vastly improves our chances that one of us will make it on the show, right? And, as we know, that person is guaranteed at least a thousand dollars, even if he finishes in third place. So here's what we do: we split all expenses when we get back, but if one of us makes it on the show, that person pays for the other's share of gas and other expenses from this trip."
Earl's brow furrows, suspicious he's being conned.
Ken's doing a book tour and making the rounds on the talk shows to flog his book, but it looks like he's not hitting the Commonwealth of Massachusetts (NYC is as close as he gets).
Thanks to this Globe article about Stitchy McYarnpants, I stumbled upon her monument to unfortunate crafting: the Museum of Kitschy Stitches. If these designs don't fill you with embarrassment and loathing, the 70s have eaten your soul. Quoth Chris: "It's the Gallery of Regrettable Knitting."
Bonus: she's coming soon to a store near us to flog her new book: The Museum of Kitschy Stitches: A Gallery of Notorious Knits.
Boing Boing calls our attention to Thylacine Day. Sadly, the last captive Tasmanian Tiger died 70 years ago today. It's been a year since the Australian Museum restarted their cloning project; I wonder how they're faring.